This sunshine filled floral painting makes me happy. It's funny, whenever I think I am finished a painting I will often have self doubt. That was the case with this one. I decided to set it aside for awhile and went upstairs to start supper. When I went back into the studio it stopped me in my tracks. It was as luminous as I had hoped to capture! And the yellows so sunny.
Poured or sprayed paintings
I approached this painting slightly differently by spraying the paint onto the wet surface. I actually thought that it may be less messy. Boy, was I wrong. The coloured mist went everywhere. All over my drafting table, the floor and my hands were unbelievable! I went pack to pouring quite quickly. The colour saturation seemed to be diffused as well - not at all the look I was going for. I may say the spray bottles for a misty day painting another time.
Getting the gunk off
The underpainting revealed
When you remove the masking compound you also remove a certain amount of the paint you applied. Sometimes the underpainting is filled with drama at the reveal stage. Most of the time you have to go back in with some strategic brushwork to make the painting come alive. Once the centre of the flowers were painting in it really started to take shape.
Yellow is an interesting colour to pour. It behaves differently than expected. Or maybe if was because it was the layer of paint that I sprayed on? The luminous quality I was trying to achieve was flat. Some very quick brushwork brought it back to life.
I use a rubber cement pick up to remove the mask picture to the side. Shown in the wrapper, before use and after use.